Everything you need to know about Spatial Audio, immersive audio, Dolby Atmos, and what's needed to release your music in this format.

Do you want to get your listeners the ultimate aural experience? You came to the right place!

We are back with a new collection of Pro Tools shortcuts that will make your clients look at you like a badass Pro Tools sorcerer, flying over the keys and making things happen in no time.

In the previous article, we explored how to quickly create all your tracks and set up alll your routing in a new session using shortcuts, leaving us ready to start recording.

I recently moved to Singapore with my wife for a job opportunity, which meant getting to know a whole new recording studio scene in a new and foreign city.

We had heard and read enticing things about this dynamic city-state, and now that we are finally settled in here, we can positively say the “Lion City” has exceeded all our expectations...

Last week, we explored a variety of ways to get an excellent acoustic guitar recording using a single microphone. The next logical step in the quest for different sonic nuances is to combine two or more microphones to obtain different colors.

What’s your preferred mic technique for recording acoustic guitars?

If you’re anything like most engineers, your answer may vary a bit depending on the arrangement, the purpose, the guitar player, the instrument and the song, but there are really just two or three commonly-used approaches that crop up again and again.

Pro Tool’s Beat Detective is a powerful tool to have under your belt. From editing audio and MIDI tracks, to generating complete tempo maps and groove templates based on a performance, Beat Detective can be a real life and time saver.

Contrary to popular belief, the results need not be robotic or unnatural. When used properly...

Whether you’re an experienced user coming to Pro Tools from another DAW, or a beginner eager to get your first Pro Tools Ninja badge, we have something perfect for you: A collection of the most essential Pro Tools shortcuts to get you up and running, fast.

Probablemente hayas oído hablar de la Regla del 3:1, una forma de minimizar problemas de fase cuando se usa más de un micrófono. Sin embargo, el número 3 tiene mucho más que ofrecer en el mundo del audio y de la producción de música: puede usarse en estrategias de arreglo, toma de decisiones, e incluso en métodos de mezcla.

Si continúas leyendo, advertido quedas: el tres podría convertirse en tu nuevo número favorito.

Segunda parte del recorrido por las distintas técnicas microfónicas para la grabación de baterías acústicas.

Descárgate los archivos WAV y escucha de primera mano cómo suena cada tipo de micro, desde el sencillo SM57 al excepcional C12.

Se usaron 30 posiciones distintas, grabadas usando la Solid State Logic 9000J del Estudio 1 de PKO.

¿Estás buscando un reamper? Aquí tienes una lista con los modelos más conocidos, ordenados por precio, y con todos los detalles que necesitas saber.

Radial X-Amp and JCR, Palmer Daccapo, MW1 Studio Tool... y muchos más.